

This coupling is a popular one, and with good reason. The Sextet marks the beginnings of Dvorák in “Slavonic” mode, with a second movement “Dunka”

This is a remarkably generous, perfectly dreadful program: eighty-six minutes

German composer Emilie Mayer (1812-83) does not deserve to be

This latest installment in Thomas Dausgaard’s ongoing effort to downsize the romantic symphonic repertoire isn’t as bad as some of his previous releases, but it’s

Until now, Debussy’s music has eluded Stephen Hough’s eclectic discography, save for two short pieces. As it happens, his first all-Debussy release contains a good

This is a wonderful program, both for the performances and for the intelligent overview it gives of Respighi’s art generally. It begins with a piece

In his booklet note for this release. Harry Christophers spouts the usual nonsense about “stripping away the cobwebs” from this music using period instruments, blah,

No, no, no. This won’t do at all. A London Symphony is a big, beefy, swaggering piece punctuated with intimate, poetic moments. Brabbins clearly understands

One of the memorable selections from Stephen Sondheim’s musical Sunday in the Park with George is called “Color and Light”. The song title befits Seong-Jin

Collectors who know Jorge Bolet as the reserved and occasionally
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