Spohr’s symphonic music (and much else) is earnest to the point of caricature. The Seventh Symphony is subtitled “The Earthly and Divine in Human Life,”

Spohr’s symphonic music (and much else) is earnest to the point of caricature. The Seventh Symphony is subtitled “The Earthly and Divine in Human Life,”
You have to give Howard Griffiths and his fine orchestra To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Those who’ve followed Marco Polo’s Louis Spohr string quartet cycle from its inception will know what to expect from this final installment. Both the A
CPO put these concertos in a big box containing all To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Spohr subtitled his Fourth Symphony “The Consecration of Tone: Characteristic Tone Painting in Symphonic Form”, and prefaced it with a long-winded poem of the same
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You have to give Howard Griffiths and his fine orchestra To access this content you must login to your Insider account, or purchase a subscription

CPO put these concertos in a big box containing all To access this content you must login to your Insider account, or purchase a subscription

Elizabeth Joy Roe, one half of the talented piano duo […]

It’s amazing how little Boulez has to offer in this […]

Thirteen discs of this stuff is torture–27 works that graphically […]

Yikes! Just as the Russian winter defeated Napoleon, so the […]

Spohr’s symphonic music (and much else) is earnest to the point of caricature. The Seventh Symphony is subtitled “The Earthly and Divine in Human Life,”

Those who’ve followed Marco Polo’s Louis Spohr string quartet cycle from its inception will know what to expect from this final installment. Both the A

Spohr subtitled his Fourth Symphony “The Consecration of Tone: Characteristic Tone Painting in Symphonic Form”, and prefaced it with a long-winded poem of the same

Bach’s Easter Oratorio continues to suffer comparative neglect, which is puzzling when you consider that it contains a spectacular opening chorus and one or two

The last time we checked in on this series from the very fine Clare College Choir, it was a review of the somewhat bizarrely programmed

Although at first glance William Byrd’s music seems to have fared pretty well on disc, it’s only a relative few works that get most of
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