Archive | Concerts

Glimmerglass Festival, Alice Busch Theater, Cooperstown, NY; August 13, 2017—Deep in operatic lore is the story of George Gershwin’s Porgy and Bess. The work is through-composed and huge in scale, and Gershwin opted to have it performed in a Broadway theater despite interest at New York’s Metropolitan Opera. His thinking was that not only could […]

La Scala, Milan, June 7, 2017—Zeffirelli’s superannuated production of La bohème returned to La Scala–yet again. From the naive slapstick to the bonnets-and-cravats period tack, this is aged opera at its tritest–a production one imagines must have felt a little fresher when it opened at this house more than half-a-century ago. But Zeffirelli’s conception is […]

The Rose Theater, Jazz at Lincoln Center, New York, NY, June 12, 2017—Tony Kushner’s breathtaking play Angels in America was so operatic in itself, with its concentration on character, pinpointed and deeply felt emotions, and huge metaphors that someone had to turn it into an opera. Premiered in Paris in 2004 and since presented in […]

Le Poisson Rouge, 156 Bleecker Street, NYC; April 11, 2017—There were two remarkable things about the recent show at Le Poisson Rouge, the nightclub/music venue in New York’s Greenwich Village. Most important, of course, was the four-man group known as New York Polyphony–and I’ll get to them in a moment. But the event also heralded […]

La Scala, Milan, March 31, 2017—Donizetti’s Anna Bolena has had a tumultuous history at La Scala. Triumphs include Maria Callas’ legendary live-recorded 1957 performance—an abiding benchmark interpretation. Scandals include Montserrat Caballé’s late-cancellation in 1982, when, for the first and only time at La Scala, an irate audience prevented the performance from going ahead. It’s therefore […]

St. Bartholomew’s Episcopal Church, Park Avenue, NY, April 4, 2017—Listening to Arvo Pärt’s Passio one wonders how a piece of music that is almost self-consciously undramatic moves people so thoroughly. The 70-minute work, all of a piece (without “numbers” or places to pause), composed in 1989, is scored for four soloists (SATB) who act together […]