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Big Boxes: DG’s Patchy Sibelius Edition

David Hurwitz

I never thought I’d live to see the day when […]

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Big Boxes: Ormandy’s Almost Complete Sibelius

David Hurwitz

Why is it that BMG/Sony or whatever they are called

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A Bittersweet Big Box of 20th Century Boulez

David Hurwitz

Most all of this material has been reissued previously, but

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Historical Gems: Hindemith Conducts Hindemith (in Stereo)

David Hurwitz

Hindemith’s Horn Concerto is not one of his two or

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CD From Hell: Eschenbach Trudges Through Hindemith

David Hurwitz

What is the deal with Christoph Eschenbach? His recent work

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Reference Recording: Hindemith and Walton Cello Concertos

David Hurwitz

This recording constitutes nothing less than a landmark in both

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The Amar Quartet’s Stellar Hindemith Cycle

Jed Distler

If you somehow missed each individual release in the Amar

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Sterling Hindemith from Frank Peter Zimmermann

David Hurwitz

Hindemith’s music seems to be out of fashion these days.

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Impressive Weber Overtures from Wit

David Hurwitz

There are wonderful performances of the more famous Weber overtures

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Filling In The Gaps: Weber 4-Hand Piano Works, Finally

David Hurwitz

Remarkable as it may seem, this is the only available

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The Pollinis Play Schubert: A Bittersweet Memento

Jed Distler December 1, 2024

Insider

Big Boxes: DG’s Patchy Sibelius Edition

David Hurwitz December 1, 2024

Insider

Big Boxes: Ormandy’s Almost Complete Sibelius

David Hurwitz December 1, 2024

Benjamin Bernheim Rules as Met’s Hoffmann
by Robert Levine
October 6, 2024
Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Despite its
RIP David Vernier, Editor-in-Chief
by David Hurwitz
August 4, 2024
David Vernier, ClassicsToday.com’s founding Editor-in-Chief passed away Thursday morning, August 1, 2024 after a long battle with cancer. The end came shockingly quickly. Just a
Finally, It’s SIR John
by ClassicsToday
June 24, 2024
He’d received many honors before, but it wasn’t until last week that John Rutter, best known for his choral compositions and arrangements, especially works related