
Sensitive and stylish flute playing grace this “Mostly Mozart” disc of little-known 18th-century flute concertos. These world premiere recordings are at once a treasure trove
Erika Haase continues her survey of 20th century piano etudes with early Lutoslawski, late Scriabin, late Debussy, and recent Ligeti (no late period for this
Richard Stoltzman’s continuing exploration of the clarinet repertoire has yielded some uniquely enjoyable concerto recordings for RCA, of which the current issue is just the
Taking their cue from poet/composer Thomas Campion’s own avowed devotion to simplicity in his music, the performers on this delightful song recital strive for clarity
Instead of Arleen Augér and the Requiem, the cover of this Sony Essential Classics disc should feature Judith Blegen and Exsultate, jubilate, for it’s this
Essentially, we have daring, dark, sometimes racy songs served up in safe, non-threatening performances. However, let’s give credit where credit’s due. The command and clarity
This, Karl Böhm’s only studio recording of one of the jewels in his conductorial crown, indeed is a gem of a performance. His tempos are
Although Ernest Bloch is known to most listeners for his “Jewish music”, some of his best works (and the majority of his compositions overall) don’t
How nice to see Ansermet’s Antar, Decca’s first official stereo classical recording, back in the catalog. It remains in a class by itself interpretively, and
Ferdinand Leitner’s Strauss places sonority and structure ahead of pure orchestral bravura. In his hands Till Eulenspiegel comes off as a wry and sly figure