
The Kempf Trio’s bid to distinguish its version of Tchaikovsky’s Trio from the recent surge of new recordings is hampered by an overly generalized, large-scale
Volume 7 of the Bach Collegium Japan’s ongoing cycle includes three cantatas (BWV 61, 132, and 172) composed during Bach’s final years at Weimar as
This 10th volume in BIS’s ongoing Bach cantata series features three works Bach composed during his first summer in Leipzig. While BWV 179 certainly has
This new BIS release has virtually everything you want in a recording of Dvorák’s Cello Concerto: bold, impassioned, and technically assured playing (by Torleif Thedéen),
These three cantatas contain some heavy assignments for the three vocal soloists, challenges met with complete success. Robin Blaze offers steady tone and not a
One week after the Leipzig debut of Bach’s lengthy though admittedly lackluster cantata BWV 75 (type Q6232 in Search Reviews) he offered an even lengthier
In Vol. 5 of the Bach Collegium Japan’s ongoing cycle of J.S. Bach’s complete cantatas we hear the composer experimenting with widely diverse orchestration, vocal
Volume 8 of the Bach Collegium Japan’s complete cycle of J.S. Bach’s cantatas begins a series devoted to works Bach composed throughout his tenure at
Volume 6 in Masaaki Suzuki’s Bach cantata cycle features only two works–however, given how frequently they were performed and how often they were revised by
In this fourth volume of the Bach Collegium Japan’s Bach cantata series we encounter one of the composer’s most esteemed and frequently recorded works: Mein