
The title Istanpitta is a play on the word Istampita (or Estampie, since the earliest examples derive from French sources), a term of indeterminate origin
Cannes Classical Award-winning Young Artist of the Year Sharon Bezaly really struts her stuff in this charming, intelligently chosen selection of French gems for flute
How complete is “complete” depends on your point of view concerning Debussy’s chamber music. Unlike Delos’ three-disc “complete” Debussy chamber collection, the present reissue omits
Handbells. You love ’em or you hate ’em. I’ve never found an in-between sentiment from anyone with whom I’ve even briefly discussed these curious yet
Alexandra Hawley and Jeffrey McFadden offer a wonderfully eclectic program for flute and guitar. If you haven’t heard this combination of instruments before, on the
Robert Starer’s K’li zemer concerto will be a surprise to anyone who associates the term with weddings and bar mitzvahs. Actually the Yiddish klezmer (instrumental
The cover photo refers to the disc’s final work, Celo, whose title derives from a Cicero quote about the human face masking pain. But the
Nielsen’s Fifth symphony was an unfortunate choice for the Hallé Orchestra’s fledgling record label, as Mark Elder’s reading is a definite non-starter. Elder seems out
György Ligeti’s music has been with us for so long, and has become such an integral part of the vocabulary of contemporary music, that it’s
Here’s an absolutely terrific disc that lovers of symphonic wind ensemble music will immediately want to add to their collections. It contains two major works