Cannes Classical Award-winning Young Artist of the Year Sharon Bezaly really struts her stuff in this charming, intelligently chosen selection of French gems for flute and orchestra. It goes without saying that Bezaly is up to the challenge that these generally modest pieces (Devienne excepted) present, offering steady, full tone with no trace of irritating breathiness, and more than sufficiently nimble fingers that make short work of, say, Rampal’s cadenzas in the Sturm und Drang outer movements of the Devienne E minor Concerto. Anyone who thinks that music for flute and orchestra can’t be other than dainty and delectable (or boring) should sample this surprisingly dramatic and substantial concerto, which unflaggingly holds the attention throughout its nearly 18 minutes.
In fact, all of this music is delightful, but in addition to the concerto, two works in particular stand out: Gounod’s Concertino, which contains an unforgettable principal theme that wouldn’t have been out of place representing the Hobbits in the recent Lord of the Rings films, and Saint-Saëns’ late Odelette, seven and a half minutes of pure elegance from a master of instrumental writing. Clarinetist Harri Mäki joins Bezaly quite capably in the same composer’s very early (Op. 6) Tarentelle, but otherwise this is Bezaly’s show, and she gets first class accompaniments from the Tapiola Sinfonietta under Jean-Jacques Kantorow, all captured in perfectly balanced sound. This is a disc that leaves you wanting more, and given the inherent limitations in range and timbre of Bezaly’s instrument, that’s saying quite a lot about her masterful handling of it. [2/8/2003]
