

Erwin Schrott is one of the most charismatic singers around and his voice is a big, healthy bass-baritone, with an easier, more ringing top than

This performance quickly goes to the top of the list of available recordings of this opera. Here, in acceptable sound, we get the elegant Faust

Gounod’s two symphonies are delightful. The First was the obvious inspiration for Bizet’s Symphony in C, and while it isn’t quite as tuneful, it’s only

Recorded in May, 1951, this recording features the best Mefistofeles on disc, and that’s saying a lot. With competition from Christoff, Ghiaurov, Journet, and van

There’s plenty of color and sparkle in Georg Solti’s Gaité Parisienne, leading as he does with his characteristic energy and consummate sense of style. The

There is much to enjoy in this forgotten (save for an aria or two), late (1878) Gounod opera. Essentially the same story as Donizetti’s Poliuto,

Cannes Classical Award-winning Young Artist of the Year Sharon Bezaly really struts her stuff in this charming, intelligently chosen selection of French gems for flute

With a cast this good, how can you go wrong? Well, I’ll tell you. Gianandrea Gavazzeni, a La Scala stalwart with great credentials in the

Is it possible for a version of Gounod’s Faust to satisfy if its principals are innocent of traditional French style and replace clear diction with

Having enjoyed this performance for many years in its LP incarnation, rehearing it on CD brings a measure of disappointment. All three soloists sing very
![]()
