Latest Music Reviews
Simeon Ten Holt For Orchestra
by Jed Distler
Arguably the best-known work of Dutch composer Simeon Ten Holt (1923-2012), Canto Ostinato was originally scored for one or more keyboards. It consists of more than 100 short sections that contain five beats to the measure, most of which can repeat as many times as... Continue Reading
Video Review: Decca’s Grumiaux Edition–Fixed and Fabulous
by David Hurwitz
The Bottom Line: If you got this set with the defective CD45 (the Beethoven Violin Concerto that should have been with Colin Davis conducting, but wasn’t), the problem has now been fixed. Contact your dealer for a replacement disc or, failing that, send an email... Continue Reading
Big Boxes: Bernstein Conducts Stravinsky–and How!!
by David Hurwitz
The Bottom Line: Bernstein was an incomparably great Stravinsky interpreter, certainly a better conductor than the composer himself, and this set of his complete recordings for Sony has more than it’s share of reference versions, including stunning performances of the Firebird Suite (sound clip), Petrushka,... Continue Reading
Rafael Orozco’s Chopin
by Jed Distler
2021 marks the 25th anniversary of Rafael Orozco’s untimely death from AIDS at age 50, as well as what would have been his 75th birthday year. The pianist came to international attention at 20 when he won the 1966 Leeds Competition, and soon after recorded... Continue Reading
String Quartet Discoveries: A Polish Haydn?
by Jens F. Laurson
This disc of the first-ever recordings of the String Quartets Op. 1 Nos.1-3 by Józef Elsner (1769-1854) is not the first disc of Elsner string quartets, but it marks the first time I took note of a name I’ll now never forget. They are such... Continue Reading
Blomstedt’s New Brahms 2 Improves on 1
by David Hurwitz
Herbert Blomstedt’s new recording of the Brahms Second Symphony and Academic Festival Overture improves markedly on his prior Gewandhaus Orchestra version of Symphony No. 1. That previous release was frankly dull. While not perfect, this performance of the Second has plenty of the impetus and... Continue Reading
Eivind Groven, The Norwegian Vaughan Williams
by David Hurwitz
Eivind Groven (1901-77) was the closest thing Norway got to a composer like Ralph Vaughan Williams. His music is saturated with the melodic and harmonic colorings of Norwegian folk music, and yet in these two symphonies he doesn’t quote any actual folk tunes. Rather, he... Continue Reading
A Beethoven, Bartók, and Bach “Prism”
by Jed Distler
It is fitting that the Danish String Quartet programs Beethoven’s C-sharp minor quartet Op. 131 alongside Bartók’s Quartet No. 1, for their commonalities are revealing. Each work’s movements play continuously without interruption. And just as Beethoven begins his quartet with a brooding, intensely building fugue,... Continue Reading
Big Boxes: Warner’s Stravinsky Edition
by Jed Distler
Warner Classics’ edition marking the 50th anniversary of Igor Stravinsky’s death offers a not-quite-complete yet very well-rounded overview of the composer’s output, together with an indispensable historical component. Whether or not the performances all hold equal appeal, or represent the best choices available to the... Continue Reading
Suchon: Not Quite Wonderful Orchestral Works
by David Hurwitz
Eugen Suchon (1908-93) is called by the note-writer of this release the most “influential” Slovak composer of the mid to late 20th century. I’m not so sure what that means. You don’t often hear about a “Suchon School”, at least not outside of Slovakia. His... Continue Reading
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