When this release arrived for review, I looked at the title “Sounds of COVID-19” and wondered just what could this be. Chaotic goings on in

When this release arrived for review, I looked at the title “Sounds of COVID-19” and wondered just what could this be. Chaotic goings on in
These two concertos pair wonderfully together. Both are founded in the late romantic tradition and are great works for their unique style, melodic, and harmonic
This latest installment in Thomas Dausgaard’s ongoing effort to downsize the romantic symphonic repertoire isn’t as bad as some of his previous releases, but it’s
Like many pianists these days, Rikke Sandberg wears several hats. She’s the artistic leader of the Nordic Chamber Music Festival, a frequent competition juror, a
Dina Ugorskaja’s death from cancer in September 2019 at the age of 47 robbed the musical world of a remarkable pianist, whose recordings of late
Reviews
It’s wonderful to have this recording readily available again (a

In her recording of Orfeo and elsewhere, conductor Emmanuelle Haïm […]

Now here is music that easily can benefit (as can […]

It’s curious, but this this splendid set never seems to […]

From the PC of the deceased Iannis Xenakis, Pierre Boulez […]

The American-born/Brazilian-raised pianist Yara Bernette (1920-2002) may not be a […]

When this release arrived for review, I looked at the title “Sounds of COVID-19” and wondered just what could this be. Chaotic goings on in

These two concertos pair wonderfully together. Both are founded in the late romantic tradition and are great works for their unique style, melodic, and harmonic

This latest installment in Thomas Dausgaard’s ongoing effort to downsize the romantic symphonic repertoire isn’t as bad as some of his previous releases, but it’s

Like many pianists these days, Rikke Sandberg wears several hats. She’s the artistic leader of the Nordic Chamber Music Festival, a frequent competition juror, a

Dina Ugorskaja’s death from cancer in September 2019 at the age of 47 robbed the musical world of a remarkable pianist, whose recordings of late

In the interview that accompanies this disc, conductor Jakub Hrusa admits that he prefers works that do not conclude with a “superficially effective ending,” whatever
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