Author Archive | David Hurwitz

The Juilliard Quartet Shines at Alice Tully Hall

New York. Alice Tully Hall: November 19, 2018. 7:30pm Program: Beethoven: String Quartet in D major, Op. 18 No. 3; Beecher: One Hundred Years Grows Shorter Over Time;  Dvorák: “American” String Quartet This evening’s program featured the Juilliard Quartet in its latest incarnation, with new first violinist Areta Zhulla. Certainly the ensemble’s famed rhythmic precision […]

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Have Some Honey With Your Haydn

Did you know that there are more than 300 types of honey produced in the United States alone? Amazing, I know. Honeybees are fascinating creatures, and while working my way through the wonderful world of varietal (a.k.a. monofloral) honeys that they produce, it occurred to me that there are some striking similarities between the sweet […]

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Putting Conductors In Their Place: Sexual Harassment and the Death of the “Maestro Myth”

In the wake of an excellent article by Anne Midgette and Peggy McGlone in The Washington Post on sexual harassment in the classical music business, Holland’s Royal Concertgebouw Orchestra announced that it had terminated the ensemble’s relationship with chief conductor Daniele Gatti. To its credit, the orchestra did not rely solely on allegations detailed in […]

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Book Review: Furtwängler’s Writings–The Intellectual Biography of a Second-Rater

Roger Allen. Wilhelm Furtwängler: Art and the Politics of the Unpolitical. The Boydell Press, Woodbridge, 2018 (286pp). Just how smart was Wilhelm Furtwängler? That he was musically gifted there can be no question, but there is a significant difference between being talented and being intelligent. Similarly, one can be very highly educated—as a function of […]

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MORE MUSICOLOGY FROM OVIEDO, PLUS A GUIDED TOUR

DAY 2. INTERNATIONAL  CONFERENCE: SYMPHONISM IN NINETEENTH-CENTURY EUROPE Organized by:Centro Studi Opera Omnia Luigi Boccherini, Lucca; Research Group ERASMUSH, University of Oviedo (Oviedo, Spain) in collaboration with: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music Oviedo, Edificio Histórico de la Universidad de Oviedo 10-12 May 2018 Like most European cities and towns, Oviedo has its share of historic […]

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Fascinating Conference and Concert from Oviedo, Spain

INTERNATIONAL  CONFERENCE: SYMPHONISM IN NINETEENTH-CENTURY EUROPE Organized by:Centro Studi Opera Omnia Luigi Boccherini, Lucca; Research Group ERASMUSH, University of Oviedo (Oviedo, Spain) in collaboration with: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music Oviedo, Edificio Histórico de la Universidad de Oviedo 10-12 May 2018 Oviedo, Spain is a medium-sized city of some 240,000 persons, the capital of […]

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Major Discoveries at Carnegie Hall from The Orchestra Now

May 3, 2018, Carnegie Hall, New York The Orchestra Now, Leon Botstein (cond.), Peter Serkin and Anna Polonsky, pianos Give Leon Botstein credit: as a conductor he has his ups and downs, but his programming is often both important and original. At The Orchestra Now’s most recent concert he offered a pair of unknown (outside […]

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The Orchestra Now Offers Fine Free Concert

Aaron Davies Hall (The City College of New York), Harlem Friday, April 20, 2018 7pm Conductor: Jan Latham-Koenig The Orchestra Now, Bard College’s excellent ensemble of graduate students, presented a very appealing program at a free concert up in Harlem this past Friday consisting of Vaughan-Williams’ gorgeous Fantasia on a Theme by Thomas Tallis, Schubert’s […]

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Editorial: Sexual Shenanigans, Classical Musicians, and Recordings

The first thing that came to mind as the story of James Levine’s, and then Charles Dutoit’s, sexual peccadillos came to light over the past few weeks was, “We’re only hearing about this now?” The former, at least, was hardly news. Levine’s alleged behavior with young boys has been one of classical music’s biggest open […]

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ARTISTS YOU CAN TRUST: 2017

TEN “ARTISTS YOU CAN TRUST” 2017 EDITION It’s common for review publications, newspapers, and radio stations to come out with “best of” year-end selections, but the big problem with these is that there are always too many recordings to even begin to do justice to the range of options available. Also, we don’t want to […]

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