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Your guide to classical music online
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Your guide to classical music online
The primary reason to care about this recording is the presence of two Erwin Schulhoff works: the tempest in a teapot Quartet No. 1 and
The Horowitz here is Joseph, the critic and music historian, not Vladimir, aided and abetted by noted Dvorák scholar Michael Beckerman of NYU, whose work
Claus Peter Flor recorded this symphony for RCA, and rather well, but this remake is finer still. The Eighth benefits from as fresh and lively
Naxos’ Scarlatti cycle descends to the bottom of the proverbial barrel for Volume 30, one of this series’ outright duds. The close microphone placement and
Violin virtuoso Kristin Lee serves up a delightful and stylistically wide-ranging cornucopia of American music, performed with unalloyed joy, style and effortless technique, abetted by
There is only one questionable moment on this well-filled disc of Janácek orchestral music: the string-led apotheosis in the last movement of Taras Bulba, right
Just why Vagn Holmboe’s 20 numbered string quartets remain closer to the repertoire’s fringes rather than towards the center core is a mystery, for they
From an engineering standpoint, Debussy’s Préludes rarely have sounded so good as they do here. The combination of a warm, resonant acoustic (Hamburg’s Friedrich-Ebert Halle),
Unlike DG’s recent incomplete Complete Works box, this one, all
In mathematics it is possible to accept the notion that
