
Marin Alsop’s Prokofiev cycle with the São Paulo Symphony began disappointingly with the Fifth, improved dramatically with the Fourth, and now hits its stride with
Vasily Petrenko’s generally sensational Shostakovich cycle concludes with this powerful and gripping performance of the Thirteenth Symphony. The interpretation is full of distinctive touches: the
Catherine Kautsky is professor of music and chair of keyboard studies at Lawrence University in Appleton, Wisconsin, and boasts an enviable multi-faceted resume of performing
Slow tempos characterize the first half of Zubin Mehta’s Gurrelieder (his second recorded version; the first was with the New York Philharmonic for Sony). Of
The fourth installment in Naxos’ Soler keyboard sonata cycle introduces 25-year-old pianist Mateusz Borowiak, who has begun to make a name for himself on the
The Pacifica Quartet is one of the finest chamber ensembles before the public, while Anthony McGill is an impressively gifted clarinetist, with a warm, liquid
Edward Gardner’s view of William Walton’s First Symphony is exciting enough, but different enough, so that we can spare ourselves the usual “it’s not Previn
The tragically short-lived Hermann Goetz (1840-1876) made a modest comeback on disc back in the early 1990s when CPO brought out his complete orchestral works,
These are strong, exciting performances of symphonies that demand the sort of bold muscularity in their execution that these artists offer. In Alan Gilbert’s hands
If you happened to see Daniel Barenboim’s 2003 Beethoven master classes on DVD, you might remember an unusually poised young pianist, Alessio Bax, who chose