
While Pierre-Laurent Aimard interprets certain areas of 20th- and 21st-century repertoire with incandescent mastery (Ives, Carter, Messiaen, Ligeti, and Boulez, for example) he’s unpredictable in
One might speculate as to why this 2008 performance of Carmen from Zurich has just been released, but frankly, it is not quite worth the
No sooner did Barry Douglas undertake a Brahms cycle for Chandos than he begins this one devoted to Schubert, starting with the last sonata and
A faculty member at Eastern Michigan University, pianist Joel Schoenhals first attracted my attention with two unusual and brilliantly executed CD releases: one devoted to
In 1737 at age 71, after more than four decades serving in numerous positions as a Court violinist, orchestra director, and part-time composer, Jean-Féry Rebel
First some housekeeping. This version of the suite from The Cunning LIttle Vixen is allegedly the “final” edition prepared by Charles Mackerras, consisting largely of
This is Joshua Bell’s first recording of any of Bach’s music. As you might imagine, the playing is expert, for the most part, and Bell
Messiaen’s Turangalîla-Symphonie is no longer a special event. That is not necessarily a bad thing. It’s good to see the work enter the repertoire, finding
“‘In our album we trace this quest for peace across different lands and eras.” So states mezzo Elina Garanca in the notes accompanying this CD
There used to be an old line about leaving the theater humming the scenery; often it applied to Franco Zeffirelli-like productions–lavish, flowery, big-boned, visually melodious