

Every first recording of a major work has historic interest, […]

Many years back I was fortunate enough to acquire a

This legendary release captures a 1965 live performance of Mahler’s

Well, here it is again, Furtwängler’s despicable 1942 Beethoven Ninth,

This may not be the worst “Eroica” ever recorded technically

The idea of re-writing and reinterpreting extant works to make

Although released some time ago and not reviewed then, the

Webster’s defines “torpid” as, “(a) sluggish in functioning or acting,

Why, oh why can’t they leave this alone? “They” being

Christian Thielemann hates rhythm. Schumann demands it. Thielemann despises sudden
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