
There are elegant, intelligent performances from a soloist who’s clearly thought about the music and knows how to get what he wants out of it.
With this release Yevgeny Sudbin and Osmo Vänskä complete their survey of Beethoven’s piano concertos, and once again make these ubiquitous scores sound new by
Yevgeny Sudbin has waited 10 years before offering a second selection of Scarlatti sonatas. In his always intelligent booklet notes he refers to playing Scarlatti
Oh, the pain, the pain! Here we have an absolutely great Paganini Rhapsody yoked to a less than fabulous version of the less popular Third
Alexander Chaushian and Yevgeny Sudbin don’t let their hair down in the Rachmaninov cello sonata as do Wendy Warner and Irina Nuzova, who display noticeably
Expectations ran high in anticipation of this release, and they have not been disappointed. BIS just completed a partially successful Beethoven piano concerto series in
This is not one of Yevgeny Sudbin’s better recordings, despite some very beautiful playing in purely pianistic terms. The coupling is imaginative and well-designed to
As Yevgeny Sudbin’s extremely thoughtful and well-written notes make clear, he’s as intelligent an artist as he is talented. Coming hard on the heels of
Yevgeny Sudbin’s inquiring mind, unflappable fingers, and huge heart mesh with extraordinary concentration and intensity, resulting in some of the most carefully thought-through, powerfully projected,
This is on balance the most well-chosen, brilliantly played single-disc selection of Scriabin’s piano music currently available. The repertoire offers three of the composer’s best