
For the most part, this is the Dresden version of Tannhäuser, although the sirens’ song after the overture borrows from the Paris edition. (For the
The best things about this Verdi Requiem are the Chicago Symphony Orchestra and Chorus, Daniel Barenboim’s exciting interpretation, and the male soloists, in that order.
With a dozen Fidelios on the market, this one doesn’t really have much of a chance, nor does it have particularly grand appeal. Barenboim’s leadership