
The second of three releases culled from Vladimir Horowitz’s mid-1940s/early-1950s Carnegie Hall recitals offers alternative views of two works long familiar from his commercial discography,
From the mid 1940s through the early 1950s Vladimir Horowitz arranged to have his Carnegie Hall recitals recorded in order for him to study and
Throughout his career Vladimir Horowitz had an on-again-off-again affair with Beethoven’s music. Although he played all 32 sonatas privately, the pianist chose his public Beethoven
Sony/BMG’s second Vladimir Horowitz Original Jacket edition draws on the piano legend’s RCA Victor recordings, dating from the late 1920s up through his 1982 London
This June 21, 1987 recital from Hamburg capped Vladimir Horowitz’s last European tour and proved to be his final public performance. It confirms what we
Most of Vladimir Horowitz’s 1975-82 recordings for RCA Victor stem from live, edited performances. By contrast, this previously unissued November 16, 1975 Carnegie Hall concert
Vladimir Horowitz’s affinity with the music of Scriabin bordered on clairvoyance, and his interpretations captured the composer’s necromantic spirit like few others. The pianist’s mercurial
Vladimir Horowitz’s May 9, 1965 Carnegie Hall return marked the legendary virtuoso’s first recital following a 12-year absence from playing in public. Columbia Masterworks recorded
The recordings Vladimir Horowitz made for Deutsche Grammophon during the last four years of his life contain some of the legendary pianist’s most singing and
The years that Vladimir Horowitz spent as an exclusive artist with Columbia Masterworks from 1962 to 1973 represented a kind of artistic rebirth for the