
Benjamin Britten’s suites for solo cello have been extensively documented. The diversity and scope among various recordings of these works seems remarkable, given that the
Norway’s Harald Saeverud, who died in 1992 at the ripe old age of 95, was a distinctive voice in contemporary music. His (comparatively) early Cello
Truls Mørk’s approach to the grim opening of Elgar’s Cello Concerto is appropriately stark. His hard, lean tone is in marked contrast to the full,