
Composed in 2001, Thomas Adès’ one-movement Piano Quintet contains marvelous textural ideas. These include soft high-register string chords against jagged piano lines that float from
Poul Ruders’ Concerto in Pieces, one of the most witty and brilliant orchestral works to appear in recent years, already has been released by Bridge
The reference standard for Janácek’s mesmerizing The Diary of One Who Disappeared has long been Beno Blachut’s 1956 recording with Josef Pálenícek (on Supraphon, paired
Ever since the death of the great man himself, English critics have been looking for “the next Britten.” Thomas Adès is the current “flavor of