
Edward Gardner’s view of William Walton’s First Symphony is exciting enough, but different enough, so that we can spare ourselves the usual “it’s not Previn
This box comes with a glowing review on the back
Anyone familiar with Moszkowski’s marginally familiar piano concerto knows to expect finely crafted, tuneful, and really attractive music, and that’s just what we get here.
This oddly chosen program is worth having for Tasmin Little’s excellent account of the Violin Concerto under Mackerras, and for Kars’ appealing solo work in
Throughout the opening movement of Walton’s First Symphony, Andrew Litton ensures that crucial ostinato string rhythms are always sharply defined, sustaining a high degree of
London’s Tasmin Little has built quite a reputation for herself (especially among the British press) when it comes to homegrown repertoire. Given that, you would
Minor Finzi here, and admirers of this fine composer should not expect any revelations on the order of Intimations of Immortality and the Clarinet Concerto.