
If a no-name pianist and fair-to-middling conductor and orchestra turned in a recording of Tchaikovsky’s First Piano Concerto like this today, no one would give
Paul Bailey’s Testament transfers of the three Mozart concertos Solomon recorded in the early 1950s boast a tonal richness and ambient bloom that supercedes EMI’s
Within a few pages of this Appassionata you realize that the usual catchwords to describe Solomon’s Beethoven (“cool,” “patrician,” or “symmetrical”) simply won’t do. The
Compared to an earlier EMI Références transfer, Solomon’s 1951 Beethoven Op. 111 sounds slightly fuller of body in Paul Bailey’s remastering for Testament. That said,
A brighter but less warmly equalized transfer of Solomon’s Beethoven Op. 90 sonata previously appeared on EMI. This is one of the few Beethoven Sonatas
Few collectors, I suspect, are familiar with Solomon’s rare 1948 HMV recording of Beethoven’s Op. 111 Sonata, as opposed to his 1951 remake released on