
The first thing that struck me hearing Ruggiero Ricci’s 1950 Decca recording of the Tchaikovsky Concerto was its unusually rich and vibrant sound. Roger Beardsley’s
Born in San Francisco in 1918, Ruggiero Ricci kept on concertizing long after most performers would have laid aside violin and bow. Technique, like everything
Ruggiero Ricci made the first commercial recording of Paganini’s complete Op. 1 Caprices in 1947, reissued here in a transfer effected, I wager, from an