
There are some marvelous moments in this beautifully recorded performance: the solo violin and flute in “Der Trunkene…”; the white, dead tone that baritone Stephen
Verdi referred to Traviata as a “subject of our time”, and he got in trouble for presenting contemporary characters on stage, especially those with shaky
The prologue to this Ariadne, a Zurich opera house performance from December 2006, takes place in front of the curtain, on a bare stage and