
In a 1970 overview of Beethoven Diabelli Variations recordings, my late colleague Harris Goldsmith divided the performances into three basic categories: One strives for large-scale
Mitsuko Uchida’s slightly-under-the-radar cycle of Beethoven Piano Concertos with the Bavarian Radio Symphony Orchestra and the artless Kurt Sanderling (Philips/Decca) is one of my favorites
This is not the recent DG Complete (not) Edition, but
If Mitsuko Uchida’s latest foray into Schumann strikes certain listeners as micromanaged, italicized, and arch, it must be said that nearly everything she does has
Mitsuko Uchida and Kurt Sanderling’s Beethoven cycle reaches its apex with an “Emperor” concerto that ranks with Schnabel, Solomon, Kempff, Arrau, Fleisher, and Gieseking among
You might imagine how well the textural transparency and carefully gauged inner voices in the first movement of Beethoven’s Op. 101 sonata would sound via
Collectors may want to know how Philips’ latest incarnation of Mitsuko Uchida’s 1989 Debussy Etudes differs from earlier CD issues. A 2001 reissue in Philips’
A potent fusion of intellectual severity and technical finesse brings rare distinction to Mitsuko Uchida’s new Philips survey of key Second Viennese School piano works.
If I had to describe the photograph on this CD booklet’s front, it would appear that violinist Mark Steinberg and pianist Mitsuko Uchida had just
If you love Ian Bostridge in German lied, you can stop reading here. Go out, buy the disc, and enjoy. But I, and the handful