
Recorded by German radio in 1943 in booming sound, this German-language, Prague-edition Don Giovanni is yet another reason to have not been near Germany during
This, Karl Böhm’s only studio recording of one of the jewels in his conductorial crown, indeed is a gem of a performance. His tempos are
The best moments in this performance come early in the opera and are the ones most of us tend not to pay much attention to: