
Callas is Medea. Of course, she was Tosca and a […]
Listening to the new Maria Callas Remastered–Complete Studio Recordings is
With more than a dozen separate performances of Norma starring
This set contains five Masses, two Requiems, eight overtures, two
This is the well-known recording–Callas’ first of two Lucias for EMI–that defined the market for many years. Studio-recorded in 1953, it shows Callas at her
Callas fans may be familiar with these performances from the diva’s December 19, 1958 Gala Concert held at the Palais Garnier, via their VHS edition.
Volume 2 of EMI’s comprehensive Herbert von Karajan centenary edition gathers virtually all of the conductor’s operatic and vocal output for the label in one
This live recording, made on May 26, 1951 in Florence, has been available on one label or another for many years, unfortunately in almost unlistenable
Taped on July 17, 1951 in really bad sound, with a shockingly ill-rehearsed, ragged chorus and presented under the uninteresting leadership of Oliviero de Fabritiis,
Here are eight CDs, each one devoted to excerpts from one of Maria Callas’ complete recordings made for EMI between 1953 (Tosca) and 1964 (Carmen).
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