
Bohuslav Martinů, the cosmopolitan-by-fate who grew up with a bird’s […]
Mari Kodama concludes her Beethoven sonata cycle with two of the composer’s most challenging works from both technical and interpretive standpoints. Happily, Op. 101 finds
In contrast to the technically proficient yet musically faceless playing characterizing much of Mari Kodama’s previous Beethoven releases, the last three sonatas have inspired a
For the most part, this Beethoven sonata release upholds Mari Kodama’s profoundly undistinguished reputation in this repertoire, at least on the basis of the discs
Mari Kodama’s Op. 2 Beethoven sonatas reveal every note exactly in place (save for certain exposed unison octaves in the C major’s first movement, where
Fine as this well-recorded Beethoven disc sounds through two stereo speakers, it becomes more vivid and lifelike when experienced in its full SACD multi-channel glory.
The musical world is not exactly screaming for another recording of Chopin’s Piano Concerto No. 2, even though this one is perfectly fine. Kent Nagano