
I’ve so far been a fan of Yannick Nézet-Séguin’s DG Mozart cycle, in particular the Don Giovanni (see reviews archive). They all share similarities: fleet
Having recently watched and reviewed the 2013 Salzburg Festival’s Così fan tutte and disliked it, and recalling a Don Giovanni from the same festival a
There is nothing of festival quality about this performance of Così fan tutte from the 2013 Salzburg Festival. Christoph Eschenbach’s conducting borders on the mundane
This production, from Glyndebourne, is a pain in the neck. The plot is well-known: taking place during the First Crusade, the knight Rinaldo must choose
This production has real problems, even given the fact that La clemenza di Tito is an opera seria filled with stilted situations. The only characters
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