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Your guide to classical music online
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Your guide to classical music online
[This is a re-post in memory of Lars Vogt, who […]
[This is a re-post in memory of Lars Vogt, who passed away on September 5.] Together with the Royal Northern Sinfonia, Lars Vogt, in his
Maria João Pires is a treasure, no question, and in Beethoven’s high-classical Second piano concerto it’s great to hear her make the most of what
Having reviewed Lars Vogt’s micromanaged Schubert and Mozart sonatas and magnificent late Brahms piano pieces, I wondered how he’d fare with Bach’s Goldberg Variations. As
There are basically two reference sets for these works: this
More often than not Lars Vogt lapses from provocative interpreter into affected micromanager over the course of Schubert’s great B-flat Sonata. His 23-minute timing for
After two relatively uninteresting Beethoven cycles, I was not exactly looking forward to this release, but happily Bernard Haitink delivers a splendid interpretation of Beethoven’s
It’s impossible to dispute Lars Vogt’s serious attitude toward the music he plays, or to discount the direct line of communication between his brain and
The present live performances with violinist Christian Tetzlaff and pianist Lars Vogt encompassing all three Brahms violin sonatas took place in September, 2002 during the
Lars Vogt’s phrasing in the Schumann Concerto flip-flops between militant (the brusque, in-tempo introductory measures and the machine-like 16th-note patterns in the flippantly-paced Finale) and
