
Debussy’s characterization of Grieg’s short piano pieces as “bon-bons filled with snow” is happily contradicted by Kyoko Tabe’s crisp, purposeful pianism. She projects the lyric
Kyoko Tabe’s soft-grained pianism melts right into Claude Debussy’s nuance-within-nuance syntax and makes itself comfy. The six Children’s Corner movements typify Tabe’s approach, from her
Those expecting the grandeur of Sibelius’s great symphonies or his sweeping tone poems will be disappointed by this collection of modest, sometimes understated works for