
Here’s a composer comfortable in his style and artistic self, and whose music embodies his absolute understanding of voices and song and ensemble singing. His
Welsh composer William Mathias (1934-1992) could write choral works as irresistibly attractive and catchy as the anthem Let the people praise thee, O God (written
It’s a rare treat to hear this music, which occupies a distinctive if not especially innovative or influential place in 20th century English choral music.
Here is Elgar at his most effusive, reverent, tuneful, and extravagant–all in the context of music designed for church services or solemn, religious-themed occasions. If