
The excerpts presented here are from operas composed between 1818 and 1828, when the very prolific Donizetti was under the influence both of his teacher,
Anna Bolena took Milan by storm at the end of December, 1830, and it was heard all over Italy in the following months; in May
Jennifer Larmore starred in Teldec’s 1997 complete recording (in Italian) of this opera, and along with Marilyn Horne’s (Erato) theirs have been the benchmark recordings
One of the welcome byproducts of the flood of Mozartiana churned out in response to this 250th anniversary year is the reissue of worthy titles,
This is a well-conceived, well-sung, vastly entertaining production of one of Rossini’s most popular operas. Designer Marina Draghici has created a cartoonish world that works–the
Mezzo Jennifer Larmore has been recording like crazy for the last few years. There have been a fistful of complete opera recordings–mostly rarities–and now comes
Adelaide di Borgogna premiered in Rome in December, 1817, within months of La Gazza Ladra (in Milan) and Armida (in Naples); Rossini’s next opera was
This is yet another thoroughly welcome installment in Opera Rara’s exploration of salon (for want of a better word) songs from the 19th century. Most
This CD contains previously released material featuring mezzo-soprano Jennifer Larmore (a scena with tenor Bruce Ford, from Pacini’s Carlo di Borgogna; arias from Rossini’s Bianca
Elvida was first given in Naples in 1826 for the birthday of the queen. This one-hour one-acter was just a portion of a gala evening