
The third and fourth movements of Ingrid Haebler’s 1954 German radio G major Sonata D. 894 prove more fluid and less inhibited than in her
Ingrid Haebler’s relationship with the Philips label from the late
For the record Mozart’s “great” violin sonatas, as per the
Henryk Szeryng and Ingrid Haebler present Beethoven’s Kreutzer Sonata as a work of great beauty and poise, with sinuous power brimming just beneath the surface.