
Two cantatas, one secular, one sacred, each concerned in very different ways with respect for one who has died, show how Bach treated musically the
On its initial release in 1985, this recording of Bach’s
This allegorical poem to Louis XIV–he is praised as the “greatest gift of the heavens” by the opera’s close–should not by judged by its amazing
Philippe Herreweghe’s spirited, stylish, vibrantly recorded Magnificat from 1990 is a welcome re-entry to the catalog (it also was included in a CD-Rom set with
Given what we know today about Johann Sebastian Bach and Georg Philipp Telemann, most observers (including me) would argue that Bach was the superior composer.
This identical program appears on a Koch-Schwann release in which Jacques Houtmann conducts the Liège Symphony Orchestra with chorus and soloists, but the new Naxos
J.S. Bach’s talent seems to flow in his grandson’s blood at least as strongly as in any of his sons. Wilhelm Friedrich Ernst Bach’s two