
Numerous incarnations of the 1952 Karajan/Bayreuth Tristan have danced in and out of circulation on CD. Sonically speaking, it’s on par with other archival Bayreuth
Among the Bayreuth Festival Parsifal recordings (official and otherwise) under Hans Knappertsbusch’s direction, this 1954 go-round is closer to the conductor’s weighty 1951 commercially issued
At the outset let me say that Melodram now offers the best sounding incarnation yet of Hans Knappertsbusch’s live 1958 Bayreuth Festival Ring Cycle. The
Remastered for Philips’ 50 Great Recordings series, the orchestral image in Hans Knappertsbusch’s 1962 Bayreuth Parsifal seems brighter, more forward than before, and I detect
Here is nearly 80 minutes of singing from one of the greatest bass-baritones of the century, the Wotan of one’s dreams, who, more than any
What is more important, words or music? That’s essentially the plot of Richard Strauss’ operatic swan song, for which Clemens Krauss fashioned a mildly droll
This is a powerhouse Elektra, recorded in 1953 for West German Radio under apparently ideal circumstances, in what must be the finest mono sound available.
Three complete Hans Knappertsbusch Ring Cycles recorded live at the Bayreuth Festival exist via archival or broadcast tapes recorded at the performances. The 1957 and
Recorded at a December, 1949, performance, this Meistersinger has just about everything going for it. The sound is quite good for its provenance–better, in fact,
Herbert von Karajan’s 1961 Wiener Staatsoper production of Parsifal caused quite a stir, not only for his idiosyncratic stage directing and lighting, but for employing