
Remastered for Philips’ 50 Great Recordings series, the orchestral image in Hans Knappertsbusch’s 1962 Bayreuth Parsifal seems brighter, more forward than before, and I detect
Hans Knappertsbusch’s Fidelio had the misfortune (or good fortune, depending on your point of view) to appear about the same time as Klemperer’s superior EMI
Wieland Wagner’s stripped-down, minimalist Bayreuth Festival staging of his grandfather’s Parsifal finally met its aural equivalent when Pierre Boulez first conducted the opera in 1966,
Three complete Hans Knappertsbusch Ring Cycles recorded live at the Bayreuth Festival exist via archival or broadcast tapes recorded at the performances. The 1957 and