
This is one terrific disc, back in classy “Harmonia Mundi […]
You really want to love these performances. Kristian Bezuidenhout plays on a deliciously crisp reproduction of a period (1820s) piano, and his passagework really glitters.
That these acid-toned, inexpressive, unidiomatic performances could ever have come to be associated with “authentic” performance practice is a sad statement about how disconnected, pedantic,