Old Cavalleria

It would seem whimsical to wish for a recording of a 19th century operatic repertory standard conducted by its composer, yet that’s exactly what we

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forza live myto C

Here’s another routine night at the opera, enshrined for posterity. Well, not quite routine since Myto puts the Overture between Acts 1 and 2. Did

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Karajan Aida

Warwick Thompson’s moronic notes to this release suggest that producer John Culshaw and conductor Herbert von Karajan’s “soundstage” recording concept realizes this opera more faithfully

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