
Kirill Gerstein’s March 2017 collaboration with Sakari Oramo and the Boston Symphony Orchestra in Busoni’s mammoth Piano Concerto generated both intense interest and ecstatic reviews.
Monodramas are tricky to pull off. The text has to be very good and the music has to be better still, to fulfill its dual
The scrupulous ensemble polish and textural transparency characterizing many of the Hagen Quartet’s performances sometimes spill over into preciosity and archness, as in this recording
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