PIANO WORKS, VOL. 4

The distant, murky, and sometimes metallic sonic patina typical of Hänssler’s recordings with Gerhard Oppitz never has been to my taste. Neither is much of

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PIANO WORKS, VOL. 3

Gerhard Oppitz’s 22-minute-plus timing for the Schubert B-flat D. 960 sonata’s first movement accounts less for slow tempos than for its fairly consistent tempo fluctuations,

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