
The first time I heard soprano Amanda Forsythe was on a CD of Handel arias. Searching for virtuosity, I found it and much more: a
The fad for authenticity has combined with economic reality to produce a trend toward employing the smallest possible version of any work. This is not
Priest, diplomat, (most probably) spy, and composer Agostino Steffani travelled all over Europe during his lifetime (1653-1728), and this opera embraces a panoply of styles.
One’s first impression of this CD, in an aria from
It is very hard lately to get worked up about 14th century Swiss oppression by the Austrians. I recently realized that it wasn’t merely the