
Mstislav Rostropovich’s finest recording of the First Cello Concerto remains the one he made with Eugene Ormandy and the Philadelphia Orchestra in the composer’s presence.
The world has no shortage of live recitals from Emil Gilels, but this outing from the 1972 Salzburg Festival is one of the best: His
Emil Gilels’ 1972 Brahms B-flat Concerto significantly differs from the pianist’s hard driving 1958 Chicago recording with Reiner. Tempos are slower, while the pianism stresses
Doremi continues to mine rare postwar Melodiya bounty, launching a series devoted to Emil Gilels. His 1947 Beethoven Third is the first of his six