
By definition, spurious or misattributed compositions possess stylistic characteristics very similar to a composer’s legitimate works, and indeed on a purely musical level are at
As mentioned in my review of his Christmas Oratorio cantatas, Gottfried Stölzel was a highly skilled, sometimes exceptionally inventive composer among whose gifts was the
One of Telemann’s later works, this Passion oratorio was composed to a text by Karl Wilhelm Ramler. How it came to be set by both