
One wonders if Clifford Curzon ever played Mozart’s last concerto to his own satisfaction. He recorded the work three times, but rejected each version for
Here’s an unexpected and most welcome entry in Decca’s Legendary Performances series. Clifford Curzon was a card-carrying perfectionist who broached recording with the enthusiasm of
The overtures, Haydn Variations, Alto Rhapsody, and Second Piano Concerto derive from 1955/7 studio recordings released by Decca. In all likelihood, Melodram’s transfers stem from
Although these live concerto performances don’t add new repertoire to Clifford Curzon’s slender discography, they reveal an unfettered, spontaneous side to this sensitive artist that
George Szell owned the Brahms concerto. He recorded it three times in stereo, with Leon Fleischer, Rudolph Serkin, and in this version with Clifford Curzon.