
Carlisle Floyd’s latest opera, premiered at the Houston Grand Opera in 2000, is based on a novel by Olive Burns, and it’s a fine, down-home,
Composed for the re-opening of the Esterhaza opera house in 1781, La fedelta premiata, a pastoral semi-buffa opera, concerns itself with the goddess Diana’s decree,
Opera doesn’t come any more Romantic (with an uppercase R) than Massenet’s Werther; indeed the hero’s suicide is so textbook-tortured-poet-in-unrequited-love-situation that were the opera not