
Here are four discs respectively devoted to four pianists who made the final rounds in the 2013 and 2016 International Queen Elisabeth Competition, all in
Here’s a very promising start to what I assume will be a new Beethoven piano concerto cycle, featuring performances not otherwise included in Naxos’ “complete”
From his initial Naxos release up through the present Rachmaninov Preludes collection, Boris Giltburg has proved to be an interpreter with obvious technical gifts and
Boris Giltburg’s Liszt Transcendental Études abound with fussy rhythmic adjustments and quirky voicings that usually stop the music in its tracks and prevent a sense
We have no shortage of excellent versions of the two Shostakovich piano concertos, including Igoshina’s on CPO and Marc-André Hamelin’s on Hyperion. Here is another.
As with his previous two solo Naxos releases, Boris Giltburg’s all-Rachmaninov recital is artistically up and down. There’s no doubt that he can navigate Rachmaninov’s
In 2006 I gave a mixed review to Boris Giltburg’s solo debut CD, while indicating my desire to hear the pianist again. My hunch paid
No matter where you turn, promising young pianists lurk, and major labels snap them up. The latest discovery to grace EMI’s debut series is Russian-born