
This recording reaffirms my conviction that catch-all compilations usually are not a good idea. Whatever the reason for these things (I still wonder who is
Conductors seem inclined to take one of two basic interpretive approaches to Mahler’s Fourth Symphony: the first emphasizes the work’s Viennese classical poise and balance;
This is the second of two Double Decca “twofers” that contain Herbert Blomstedt’s celebrated second complete cycle of the six Carl Nielsen symphonies. The first
Just when you question the need for yet another recording of . . .(fill in the blank), you hear something–a recording such as this one–that