
These two works have all of the advantages and disadvantages […]
Within seconds after Jeux d’eau begins this Ravel recital, we’re on sonic red alert. Is the Teatro São Luis’ overly resonant, muddy acoustic to blame,
Liszt’s Hungarian Rhapsodies used to be popular concert staples, yet they seem to have completely vanished from the repertoires of today’s pianists, even the thrice-familiar
The plangent, slightly nasal tone of the Blüthner grand Artur Pizarro uses for this uneven Chopin recital really opens up and fills the room when
Artur Pizarro stretches the Pathetique sonata’s grandiose introduction to the point where the silences between phrases read like exit cues. However, once the Allegro proper
Best known for the international piano competition that bears his name, José Vianna da Motta (1868-1948) was one of Liszt’s last pupils and was a