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Your guide to classical music online
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Your guide to classical music online
Little new can be added to what’s been said of these tried, true, and extremely satisfying catalog staples. Their most recent transfer in RCA’s 1999
Arthur Rubinstein’s 1963 recording of Chopin waltzes (he included the “traditional” 14 but not the five posthumous ones) is the stereo reference version for these
Much as Arthur Rubinstein enjoyed and understood the recording process, he loved playing for live audiences even more. His surviving concert performances may be less
These 1962/63 recordings last were available as Volume 56 of RCA’s Arthur Rubinstein Collection, in transfers that stood out for their sonorous, bass-oriented impact. On
It’s a bit difficult to try to figure out exactly whom this collection of Beethoven concerto performances best serves. Let’s leave aside the issue of
The earliest of Arthur Rubinstein’s three complete Chopin Nocturne cycles reveals a more free-flowing, tonally robust approach to these works that contrast with the pianist’s
This disc constitutes the first half of a September 3rd, 1949, Hollywood Bowl Concert, well preserved in a dry-sounding yet dynamically impactive aircheck. While Serge
Zubin Mehta’s and Arthur Rubinstein’s single recorded collaboration was made very late in the pianists life (the artist’s respective contracts made earlier joint projects impossible).
Arthur Rubinstein recorded the integral Chopin mazurkas three times: once in stereo, once in the mono LP era, and another time for the pioneering 1938/39
Arthur Rubinstein’s pioneering Chopin Polonaise cycle from the 1930s may not be as disciplined or scrupulous to the text as his LP-era remakes, yet the
